 |
|
|
 |
 |
name |
mp3
dry |
mp3
wet |
comments |
vox male |
dry |
wet |
different room
impressions added to this voice |
vox female |
dry |
wet |
hear how these
two reverbtypes add serious depth to the vocals |
solo sax |
dry |
wet |
various reverbtypes, check the room
impressions |
brass section |
dry |
wet |
four different
roomtypes, check the fatness increasing |
ensemble strings |
dry |
wet |
various spaces added, check the
natural impression of the strings |
congas |
dry |
wet |
subtle spaces and ambiences added
to the conga |
acoustic guitar |
dry |
wet |
various arena spaces,
check the placement in the room |
acoustic piano 01 |
dry |
wet |
check dry, then hear how the
piano moved right into the back of the hall |
acoustic piano 02 |
dry |
wet |
the pianoplayer, lonely in a huge
concert hall |
solo violin |
dry |
wet |
here we place vanessa right into
various hall programs |
the greek |
dry |
wet |
you like vangelis? listen to the
different reverbtypes |
saw pad |
dry |
wet |
dry is mono, now check what
our reverb does to the depth of the pad |
synth sequencer |
dry |
wet |
a synth sequence gets some dreamy
impression with two reverbtypes |
trance synthcords |
dry |
wet |
hear how a trance chord comes alive
with the ArtsAcoustic Reverb |
dance synth solo |
dry |
wet |
adding real big impression to a
boring synthsound |
rhodes |
dry |
wet |
listen what the reverb does,
compare the wet with the dry version |
drumloop |
dry |
wet |
loop with different
roomtypes |
moving loop |
- |
wet |
loop moves from center
front to the rear right, to the rear left and back |
beauty drops |
dry |
wet |
comparsion song snipet dry, and
using our ArtsAcoustic Reverb only |
|
|
|
|
Links
|
|
Privacy Policy
|
|
Impressum
|
|
Quicks
|
|
2016-04-03: 50% Spring 2016 discount offered.
more...
|
|
2013-05-22: ArtsAcoustic Reverb 1.6.0.15 is released.
more...
|
|
2013-04-08: ArtsAcoustic Reverb 1.6.0 is released.
more...
|
|
2012-12-27: ArtsAcoustic ViRe-X Pro 1.0.0 announced.
more...
|
|
2012-12-27: New license agreement.
more...
|
|
|
|
|
 |
 |
|
 |
|